Social and Pop-media as Reflection of Self

Doi: https://doi.org/10.47659/m4.016.art

The essay provides an introspection into the relationship between our identities and technology. It aims to show how our identities are affected by new modes of operation that were less accessible before the emergence of social networks. Through an observation of popular media (i.e. TV shows) and social media, it reveals how the self is convoluted, resulting into a variety of performed identities. It explores how through social media, individuals are able to create perceived identities, which are to various degrees lived or completely fabricated. The essay uses iZombie and Orphan Black as case studies to showcase how life and the media are intertwined, resulting in the latter holding a mirror to the former. With a distinction between the online and offline personality, it presents the augmentation of identity with the aid of new interfaces, online intermediaries that add to the interpersonal contact; from the initial landline phone to more current modes of communication (Facebook, Tinder…) the essay points out how levels of anonymity aid the emergence of new identities. It provides a mirror of contemporary life and the ways the augmented self-influences the ways we understand and view our identities.

The essay provides an introspection into the relationship between our identities and technology. It aims to show how our identities are affected by new modes of operation that were less accessible before the emergence of social networks. Through an observation of popular media (i.e. TV shows) and social media, it reveals how the self is convoluted, resulting into a variety of performed identities. It explores how through social media, individuals are able to create perceived identities, which are to various degrees lived or completely fabricated. The essay uses iZombie and Orphan Black as case studies to showcase how life and the media are intertwined, resulting in the latter holding a mirror to the former. With a distinction between the online and offline personality, it presents the augmentation of identity with the aid of new interfaces, online intermediaries that add to the interpersonal contact; from the initial landline phone to more current modes of communication (Facebook, Tinder…) the essay points out how levels of anonymity aid the emergence of new identities. It provides a mirror of contemporary life and the ways the augmented self-influences the ways we understand and view our identities.

The essay provides an introspection into the relationship between our identities and technology. It aims to show how our identities are affected by new modes of operation that were less accessible before the emergence of social networks. Through an observation of popular media (i.e. TV shows) and social media, it reveals how the self is convoluted, resulting into a variety of performed identities. It explores how through social media, individuals are able to create perceived identities, which are to various degrees lived or completely fabricated. The essay uses iZombie and Orphan Black as case studies to showcase how life and the media are intertwined, resulting in the latter holding a mirror to the former. With a distinction between the online and offline personality, it presents the augmentation of identity with the aid of new interfaces, online intermediaries that add to the interpersonal contact; from the initial landline phone to more current modes of communication (Facebook, Tinder…) the essay points out how levels of anonymity aid the emergence of new identities. It provides a mirror of contemporary life and the ways the augmented self-influences the ways we understand and view our identities.

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With this complexity of relations that a person has to navigate since the emergence of new technology it is not surprising that our minds are on a subconscious level preoccupied with the performance of identity.
Reading Time: 12 minutes
Reading Time: 12 minutes
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