Paula Roush
These screenshots of the blue background interface crashing into multiple windows overwhelmed by the joy of corporeal indexicality are already digital archaeology, a testimony to an out-dated bureaucratic classificatory system of French colonial legacy, soon to disappear under the auspices of a new open access database.
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These screenshots of the blue background interface crashing into multiple windows overwhelmed by the joy of corporeal indexicality are already digital archaeology, a testimony to an out-dated bureaucratic classificatory system of French colonial legacy, soon to disappear under the auspices of a new open access database.
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