Geska Helena Brečević

Geska Helena Brečević is an artist and independent researcher working mainly in Sweden, Mexico and Croatia. In 2004, she and Robert Brečević formed Performing Pictures (www.performingpictures.art). Together they make film and video installations that blur the lines between still and motion media. Their work, supported by numerous national and international grants, has resulted in more than 20 solo and 50 group shows as well as commissions for several permanent public art installations. Her artistic research has been carried out with the support of The National Arts Grants Committee, the Royal Institute of Arts and the National Swedish Research Committee. Geska is currently the artistic director of the Film Capital Stockholm’s project Smart Kreativ Stad (www.smartkreativstad.com) investigating new perspectives on moving images in the public space.

Geska Helena Brečević: geska@performingpictures.se, Performing Pictures, Sweden

 

All the more shall this become a memory of the time you and your mother stood on a countryside road amid the agave fields and with the mountain range of Oaxaca in the background on one of countless journeys...

Abstract

This essay traces the resurrection of the fotoescultura, a three-dimensional photographic portrait popular in rural Mexico in the early 20th century, as interpreted in recent works by Performing Pictures, a contemporary Swedish artist duo. The early fotoesculturas were an augmented form of portraiture, commissioned by family members who supplied photographs that artisans in Mexico City converted into framed sculptural portraits for display on family altars. We compare these »traditional« photographic objects with “new” digital forms of video animation on screen and in the public space that characterize Performing Pictures work, and explore how the fotoescultura inspired new incarnations of their series Men that Fall. At the intersection between the material aspects of a “traditional” vernacular art form and “new” media art, we identify a photographic aesthetic that shifts from seeing and perceiving to physical engagement, and discuss how the frame and its parergon augment the photographic gaze. The essay is accompanied by photos and video stills from Performing Pictures’ film poem Dreaming the Memories of Now (2018), depicting their work with the fotoesculturas.

Contributors
Alberto Frigo (1) Alexander W. Schindler (2) Alex Beldea (2) Alisha Sett (2) Ana Peraica (5) Andrea Mubi Brighenti (2) Andrea Palašti (1) Andreia Alves de Oliveira (4) Anisha Baid (2) Anne Noble (2) Artur Kucharczak (1) Asko Lehmuskallio (2) Ayse Lucie Batur (2) BIND Collective (1) Carole Baker (2) Caroline Molloy (2) Cedric Kiefer (2) Chinar Shah (2) Christopher Pinney (2) Clio Flego (2) CrimethInc. Ex-Workers’ Collective (2) Dagmar Kolatschny (2) David Bate (2) Devon Schiller (4) Emina Djukić (9) Gabriele de Seta (2) Gabriel Uchida (1) Geoffrey Batchen (2) Geska Helena Brečević (2) Helena Vogelsang Novak (2) Hendrik Zeitler (1) Hrair Sarkissian (1) Ileana L. Selejan (2) Ilija T. Tomanić (5) Ioan Daniel Mihalcea (2) Ivan Petrović (2) Iza Pevec (8) Janaki Somaiya (2) Jan Babnik (3) Jani Pirnat (2) Jasna Jernejšek (14) Jernej Čuček Gerbec (2) Joan Fontcuberta (2) Joanna Zylinska (2) John Hillman (4) John Tagg (2) Karin Becker (4) Ketaki Sheth (1) Ksenija Berk (3) Lara Plavčak (3) Lenart J. Kučić (6) Lisa Andergassen (2) Louise M. Hisayasu (4) Lukas Birk (2) Maja Smrekar (1) Manca Jevšček (1) Maria Paschalidou (2) Marija Skočir (2) Marjan Kodelja (2) Mark Curran (2) Marko Stojanović (1) Martin Bayer (2) Martin Parr (2) Matej Sitar (4) Michelle Proksell (2) Miha Colner (12) Mihai Șovăială and Horațiu Șovăială (1) Monika Schwarzler (4) Montse Morcate (2) Murat Durusoy (2) Murat Germen (2) Nataša Ilec (4) Nezaket Tekin (2) Nicholas Mirzoeff (1) Onur Ciddi (1) Panos Kompatsiaris (2) Paolo Silvio Harald Favéro (2) Patricia Prieto-Blanco (2) Paula Horta (2) Paula Roush (2) Peter Hermans (2) Peter Koštrun (2) Peter Rauch (2) Richard Whitlock (2) Robbie Cooper (2) Robert Hariman (2) Ronnie Close (2) Samsul Alam Helal (1) Simon Menner (2) Simon Podgoršek (1) Stephen Snyder (2) Steve Edwards (2) Urška Savič (8) Witold Kanicki (3)

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