Jaka Gerčar
Jaka Gerčar (b. 1995, Ljubljana) is a PhD candidate at the University of Ljubljana. His current research interests concentrate on reading practices in the humanities, publishing, and the social ramifications of digitisation. He also contributes essays and pieces of criticism in subjects such as philosophy, literature, and art. He is the head of publishing for Membrana Institute, Ljubjana and serves as the managing editor of the Dutch journal Depth of Field (Leiden University Press).
It struck me how transiency (and even the thought of a possible failure) of a political idea on occasion seems more comic and more tragic that the inherent transiency of a human life.
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Foundation of Endeavour centres on Jasmina Cibic’s ongoing investigation into the idea of political gifts of culture, exploring their role within national and political structures during moments of European crisis in the 20th century. The exhibition in the Museum of Contemporary Art in Ljubljana (MSUM), curated by Igor Španjol, comprises several of Cibic’s recent works: All the Power that Melts into Noise, Foundation of Endeavour, The Spirit of Our Needs, and the 20’ art film project The Gift. The author argues that the multipartite exhibition succeeds in conveying often overlooked manifestations of “soft power” formidably well, thus shedding light onto the historical, anthropological and sociological facets of political gifts and also suggesting relevant considerations on the significance of notions such as “public art”, “internationalism”, and “national culture”.
Jaka Gerčar (b. 1995, Ljubljana) is a PhD candidate at the University of Ljubljana. His current research interests concentrate on reading practices in the humanities, publishing, and the social ramifications of digitisation. He also contributes essays and pieces of criticism in subjects such as philosophy, literature, and art. He is the head of publishing for Membrana Institute, Ljubjana and serves as the managing editor of the Dutch journal Depth of Field (Leiden University Press).
Jasmina Cibic (b. 1979, Ljubljana) is a London based artist who works in performance, installation and film, employing a range of activity, media and theatrical tactics to redefine or reconsider a specific ideological formation and its framing devices such as art and architecture. Her work draws a parallel between the construction of national culture and its use value for political aims, addressing the timelessness of psychological and soft power mechanisms that authoritarian structures utilise in their own reinsertion and reinvention. Jasmina Cibic represented Slovenia at the 55th Venice Biennial with her project “For Our Economy and Culture”. She has been shortlisted for the Jarman Award (2018) and was the winner of the MAC International Ulster Bank and Charlottenborg Fonden awards (2016). As of November 2020, her upcoming solo shows include macLyon, Muzeum Sztuki Łódź and Museum der Moderne Salzburg. Cibic’s recent monograph Spielraum is published by BALTIC and Distanz and NADA by Kerber Verlag and Kunstmuseen Krefeld.
http://jasminacibic.org/
- Hobsbawm, E. 1992. The Invention of Tradition. Cambridge: Cambridge University Press.
- Mauss, M. 2002. The Gift. London: Routledge.
- Nye, J. 2009. Soft Power: The Means To Success In World Politics. London: Hachette.
Tito’s relaxed manner towards the camera can also be seen as frank admission of the ruling regime that the photographs are indeed made and constructed rather than being a neutral documentation of reality.
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Among older generations within the territory of former Yugoslavia, May 25th is still remembered as Youth Day; the holiday that once marked the birthday of the federation’s life-long leader, Marshal Tito. An exhibition of Tito as a photographer by his personal photographer Joco Žnidaršič opened on May 25th, 2020 at Galerija Fotografija in Ljubljana – incidentally, just a few kilometres away from the hospital where Tito had died exactly four decades ago on May 4, 1980.
Jaka Gerčar (b. 1995, Ljubljana) is a PhD candidate at the University of Ljubljana. His current research interests concentrate on reading practices in the humanities, publishing, and the social ramifications of digitisation. He also contributes essays and pieces of criticism in subjects such as philosophy, literature, and art. He is the head of publishing for Membrana Institute, Ljubjana and serves as the managing editor of the Dutch journal Depth of Field (Leiden University Press).
Joco Žnidaršič (b. 1938) is a Slovenian photographer. He graduated from the Faculty of Medicine in Ljubljana in 1963. During his studies he took up press and art photography to which he devoted himself fully in subsequent years. As a press photographer he worked for publications Študentska tribuna and Tovariš, and was the editor of photography for the Delo daily newspaper from 1974 until his retirement. Beside his work as a press photographer he published numerous photo monographs that were praised by the critics and have earned him a reputation as one of the most prominent Slovene press and art photographers. He is the receiver of more than 50 domestic and international awards including World Press Photo Award, the Prešeren Fund Award and the Župančič Award. He received the Puhar Award for lifetime achievement and Consortium Veritatis Award for lifetime achievement in journalism in Slovenia. In 2009, the President of the Republic of Slovenia Danilo Türk conferred on him the Golden Order for Services for lifetime achievement in the area of photography and for valuable contribution to Slovenia s visibility. In 2013, the President Borut Pahor decorated him with the Order of Merit for his participation in the project Slovenia My Country.
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