Jasna Jernejšek (born 1982) holds a BA in Cultural Studies and an MA in Media and Communication Studies from the Faculty of Social Sciences, University of Ljubljana. Since 2012 she is an editor of radio programme on contemporary visual arts Art-Area at Radio Student. She is a regular contributor to Fotografija magazine. Since 2013 she collaborates as project manager and curator with gallery Photon – Centre for Contemporary Photography and with festival Photonic Moments – Month of Photography. She lives and works in Ljubljana, Slovenia.

Emina Djukić (1982) is a visual artist and pedagogue. She completed her master’s degree in photography at the VŠVU in Bratislava, and currently she is a professor at the Academy of Fine Arts and Design, photography department. From 2005 to 2010 she collaborated with the Medvode Youth Cultural Center, where she was also a program director for some time. For several years as a mentor she participated in the Celje Fokus summer workshop and was her artistic director in 2013. Since 2015 she has been a member of the editorial board of Fotografija magazine. She is researching the media of photography for a long time; Currently she is mainly concerned with the narrative possibilities of photography and its relation to the past.

Joan Fontcuberta (1955) is a Spanish artist, self-described as “a conceptual artist using photography.” Through his works he examines the truthfulness of photography and investigates photography’s authority and the human inclination to believe what we see. Contradiction, playfulness, conflict and the possible – all form the territory on which his works are situated. He is known for his projects such as Herbarium (1984), Fauna (1987), Sputnik (1997), Sirens (2000), Gastropoda (2013) and Trauma (2016). Fontcuberta sees himself as a self-educated photographer, inspired by the Dadaists and Situationists. He is also a teacher, editor, curator and writer.

Jasna Jernejšek (born 1982) holds a BA in Cultural Studies and an MA in Media and Communication Studies from the Faculty of Social Sciences, University of Ljubljana. Since 2012 she is an editor of radio programme on contemporary visual arts Art-Area at Radio Student. She is a regular contributor to Fotografija magazine. Since 2013 she collaborates as project manager and curator with gallery Photon – Centre for Contemporary Photography and with festival Photonic Moments – Month of Photography. She lives and works in Ljubljana, Slovenia.

Martin Parr (1952) is a British documentary photographer, photojournalist and photobook collector. Since 1994, he has been a member of Magnum Photos. He is considered a chronicler of our age, known for his photographic projects such as The Cost of Living (1987– 1989), Small World (1987–1994), Common Sense (1995–1999), Autoportrait (1995–2000 / 1995–2015), Life’s A Beach (2013) and Real Food (2016) that take an intimate, satirical and anthropological look at aspects of modern life, leisure, consumption and wealth of the Western world. He has had around 100 photobooks published, and has featured in numerus exhibitions worldwide. The Martin Parr Foundation, founded in 2014, opened premises in his hometown of Bristol in 2017. It houses his own work and archive, a collection of other British and Irish photographers, and a gallery.