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Images as Mediated Realities
Vilém Flusser and Harun Farocki in Meta-dialogue
Doi: https://doi.org/10.47659/m4.026.ess
- Vol. 3, no. 1
- 2018
- August 6, 2020
A critical gaze and an investigative guise are necessary in a time where the uneven boundaries between “the real” and the phantasmagoric are blurred into our conceptions of reality. We are surrounded by interfaces, screens, virtual spaces and infinite networks. Technologic advancements departing from the photographic medium have the potential to change our relations to our surroundings and our conceptions of ourselves through images. We are no longer merely receivers of images, we are active producers of them; In the 1980’s, philosopher Vilém Flusser and filmmaker Harun Farocki were already engaged in questions aimed at understanding our relationship to images and our responsibility towards the production images. Both urged their readers and spectators to engage in dialogue, to understand the phenomenon of photography and its direct correlations to mass communication structures.
- Keywords: codes, communication theory, reality, responsibility, technical image
Louise Hisayasu is pursuing her postgraduate studies in the field of digital humanities. She spent some months interning and conducting researching at the Vilém Flusser Archive in Berlin. She is currently based at the School of Creative Media at City University of Hong Kong.
- Alberro, A., & Elsaesser, T. , 2014. Farocki: A Frame for the No Longer Visible: Thomas Elsaesser in Conversation with Alexander Alberro. E-flux, Journal #59, [online] November. Available online here. [Accessed 20 Nov. 2018].
- Arantes, P., Nesteriuk, S., 2016. Programing the Visible: Dialogues between Vilém Flusser and Harun Farocki. Flusser Studies, 21.
- Elsaesser, T., 2004. Harun Farocki: Working on the Sight-Lines. Amsterdam: Amsterdam University Press.
- Flusser, V., 2011. Into the Universe of Technical Images. Minneapolis: University of Minnesota Press.
- Flusser, V., 2002. Writings. Minneapolis: University of Minnesota Press.
- Paglen, T., 2014. Operational Images. E-flux, Journal #59, [online] November. Available online here. [Accessed 20 Nov. 2018].
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A critical gaze and an investigative guise are necessary in a time where the uneven boundaries between “the real” and the phantasmagoric are blurred into our conceptions of reality. We are surrounded by interfaces, screens, virtual spaces and infinite networks. Technologic advancements departing from the photographic medium have the potential to change our relations to our surroundings and our conceptions of ourselves through images. We are no longer merely receivers of images, we are active producers of them; In the 1980’s, philosopher Vilém Flusser and filmmaker Harun Farocki were already engaged in questions aimed at understanding our relationship to images and our responsibility towards the production images. Both urged their readers and spectators to engage in dialogue, to understand the phenomenon of photography and its direct correlations to mass communication structures.
- Keywords: codes, communication theory, reality, responsibility, technical image
Louise Hisayasu is pursuing her postgraduate studies in the field of digital humanities. She spent some months interning and conducting researching at the Vilém Flusser Archive in Berlin. She is currently based at the School of Creative Media at City University of Hong Kong.
- Alberro, A., & Elsaesser, T. , 2014. Farocki: A Frame for the No Longer Visible: Thomas Elsaesser in Conversation with Alexander Alberro. E-flux, Journal #59, [online] November. Available online here. [Accessed 20 Nov. 2018].
- Arantes, P., Nesteriuk, S., 2016. Programing the Visible: Dialogues between Vilém Flusser and Harun Farocki. Flusser Studies, 21.
- Elsaesser, T., 2004. Harun Farocki: Working on the Sight-Lines. Amsterdam: Amsterdam University Press.
- Flusser, V., 2011. Into the Universe of Technical Images. Minneapolis: University of Minnesota Press.
- Flusser, V., 2002. Writings. Minneapolis: University of Minnesota Press.
- Paglen, T., 2014. Operational Images. E-flux, Journal #59, [online] November. Available online here. [Accessed 20 Nov. 2018].
Summary
Author
References
PDF
Close
A critical gaze and an investigative guise are necessary in a time where the uneven boundaries between “the real” and the phantasmagoric are blurred into our conceptions of reality. We are surrounded by interfaces, screens, virtual spaces and infinite networks. Technologic advancements departing from the photographic medium have the potential to change our relations to our surroundings and our conceptions of ourselves through images. We are no longer merely receivers of images, we are active producers of them; In the 1980’s, philosopher Vilém Flusser and filmmaker Harun Farocki were already engaged in questions aimed at understanding our relationship to images and our responsibility towards the production images. Both urged their readers and spectators to engage in dialogue, to understand the phenomenon of photography and its direct correlations to mass communication structures.
- Keywords: codes, communication theory, reality, responsibility, technical image
Louise Hisayasu is pursuing her postgraduate studies in the field of digital humanities. She spent some months interning and conducting researching at the Vilém Flusser Archive in Berlin. She is currently based at the School of Creative Media at City University of Hong Kong.
- Alberro, A., & Elsaesser, T. , 2014. Farocki: A Frame for the No Longer Visible: Thomas Elsaesser in Conversation with Alexander Alberro. E-flux, Journal #59, [online] November. Available online here. [Accessed 20 Nov. 2018].
- Arantes, P., Nesteriuk, S., 2016. Programing the Visible: Dialogues between Vilém Flusser and Harun Farocki. Flusser Studies, 21.
- Elsaesser, T., 2004. Harun Farocki: Working on the Sight-Lines. Amsterdam: Amsterdam University Press.
- Flusser, V., 2011. Into the Universe of Technical Images. Minneapolis: University of Minnesota Press.
- Flusser, V., 2002. Writings. Minneapolis: University of Minnesota Press.
- Paglen, T., 2014. Operational Images. E-flux, Journal #59, [online] November. Available online here. [Accessed 20 Nov. 2018].
- Cover photo: Harun Farocki: Eye/Machine III (Auge/Maschine III), 2003.
Reality is becoming increasingly mediated by autonomous entities, whose systems locate themselves within a blackbox.
Reading Time: 6 minutes
Reading Time: 6 minutes
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- Cover photo: Harun Farocki: Eye/Machine III (Auge/Maschine III), 2003.
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