You must be a subscriber to view the main content of this page. Please subscribe to an option that fits your needs and get access to core content! If you are already a subscriber just sign in below. If you have purchased a subscription via Offline payment, the content will be unlocked upon receiving your payment.
We meet with David Bate, artist and theorist working in photography in a Portuguese cafe in London the day the United Kingdom is holding what will most probably be its last European Parliamentary elections. The country has been at the forefront of education in photography, offering a record number of university degrees which historically were pioneer in introducing critical theory as part of the curriculum. But today this situation might have changed. The conversation flows freely between Bate’s experience of growing up in a working class area in 1970s UK and the realities of today’s educational and social system, the correlation between theory and practice and the paradoxes of the digital image and our current relation to it, aiming to introduce (or update) our readers to one of the most thought provoking and rigorous critical practitioners (which is to say, thinkers) working in and with the medium today.