Witold Kanicki (1979) is an art historian, assistant professor at the Department of Art Education, University of Arts in Poznan (Poland), and guest lecturer at the Zurich University of the Arts (Switzerland). He worked as an independent curator and critic. His PhD book (Ujemny biegun fotografii) was published this year by the Słowo/Obraz, terytoria editorial house. He is an author of more than 50 articles, published in scientific journals, as well as in catalogues of exhibitions and magazines on contemporary art and photography. He participated in numerous conferences (Including: the 2nd International Conference in Photography and Theory, Ayia Napa, 2012, Cyprus; the 3rd International Conference in Photography and Theory, Nicosia, Cyprus, 2014; Photography and the LEFT, Lisbon, 2016, Portugal; Faktizität und Gebrauch früher Fotografie, Rome 2017). His scope of interest includes history and theory of photography, contemporary art, new museology and curating.

Urška Savič (1992) is a critic and journalist active in the fields of visual arts and cultural politics, working also as a photographer and radio artist. She finished her BA in photography at FAMU (Prague, 2014) on the topic of collage and photo-montage and is in the process finalizing her master thesis at the Department of Sculpture at ALUO (Ljubljana), focusing on archiving practices in contemporary art. She was a residency artist at the Centre for Digital Arts in Holon, Israel (2015), and did an internship at the Peggy Guggenheim Museum in Venice, Italy (2015). Since 2017, she is an active participant of the cultural redaction at Radio Študent, one of Europe’s oldest and strongest non-commercial, alternative radio stations. There, she has been a curator of an open radio (art-theory) research platform R A D A R since 2019.

Richard Whitlock is an artist, sculptor and film-maker. He has made sculptural, graphic and photographic installations in Moscow, Beijing, New York, Helsinki, Marseilles, Athens and elsewhere. In 1997, he exhibited in Ljubljana, and drew the view from the window of a cell in Metelkova prison on the wall inside the cell. His non-perspectival photographs and “moving pictures” are discussed in Joanna Zylinska’s Non-human photography (MIT Press, 2017), in Afterimage and in Photomediations Machine. He has written and lectured widely on the question of perspective in photography, and is currently writing about “anti-perspective” in Byzantine and Chinese art for a book to be published by the Central Academy of Fine Arts in Beijing. He lives in Greece.