Ileana L. Selejan

Ileana L. Selejan is a Research Associate in the Department of Anthropology at University College London, where she is a part of the European Research Council (ERC) funded project, »Citizens of Photography: The Camera and the Political Imagination« (Grant no.
695283), and an Associate Lecturer at Central Saint Martins, University of the Arts, London. She was previously the Linda Wyatt Gruber ’66 Curatorial Fellow in Photography at The Davis Museum at Wellesley College where she curated the exhibition »Charlotte Brooks
at LOOK: 1951-1971«. She received her PhD in Art History from the Institute of Fine Arts, New York University, and was granted the 2012–13 Joan and Stanford Alexander Award from the Museum of Fine Arts Houston, for her dissertation research in Nicaragua. As an adjunct instructor, she taught in the Photography and Imaging Department at Tisch School of the Arts, and in the Art History Department at NYU, at the Parsons School of Design, and in the Fine Arts Department at West University, Timisoara, Romania.

Reading time: 10 minutes
Whenever a wall is erected, there will always be “people arisen” to “jump the wall,” that is, to cross over borders. If only by imagining. As though inventing images contributed – a little here, powerfully there – to reinventing our political hopes. "- Georges Didi-Huberman"

Abstract

Zigzagging through personal memory and historical episodes of great consequence – the fall of the Berlin wall, the Romanian revolution and the April 2018 protests in Nicaragua – the essay seeks points of connection between the personal and the political, exploring how the two are intimately and inextricably intertwined. The textual approach can be situated in-between historical analysis and auto-biographical fiction; the aim is to enable multi-layered narratives, and contrasting, conflicting temporalities to co-exist. Illustrative of this intent, Romanian artist Călin Man intervenes upon the more well-known documentary photographs referenced in the text, by conflating them with everyday snapshots from the city of Arad taken at different points along the temporal arc described.

Contributors
Alberto Frigo (1) Alexander W. Schindler (2) Alex Beldea (2) Alisha Sett (2) Ana Peraica (5) Andrea Mubi Brighenti (2) Andrea Palašti (1) Andreia Alves de Oliveira (4) Anisha Baid (2) Anne Noble (2) Artur Kucharczak (1) Asko Lehmuskallio (2) Ayse Lucie Batur (2) BIND Collective (1) Carole Baker (2) Caroline Molloy (2) Cedric Kiefer (2) Chinar Shah (2) Christopher Pinney (2) Clio Flego (2) CrimethInc. Ex-Workers’ Collective (2) Dagmar Kolatschny (2) David Bate (2) Devon Schiller (4) Emina Djukić (9) Gabriele de Seta (2) Gabriel Uchida (1) Geoffrey Batchen (2) Geska Helena Brečević (2) Helena Vogelsang Novak (2) Hendrik Zeitler (1) Hrair Sarkissian (1) Ileana L. Selejan (2) Ilija T. Tomanić (5) Ioan Daniel Mihalcea (2) Ivan Petrović (2) Iza Pevec (8) Janaki Somaiya (2) Jan Babnik (3) Jani Pirnat (2) Jasna Jernejšek (14) Jernej Čuček Gerbec (2) Joan Fontcuberta (2) Joanna Zylinska (2) John Hillman (4) John Tagg (2) Karin Becker (4) Ketaki Sheth (1) Ksenija Berk (3) Lara Plavčak (3) Lenart J. Kučić (6) Lisa Andergassen (2) Louise M. Hisayasu (4) Lukas Birk (2) Maja Smrekar (1) Manca Jevšček (1) Maria Paschalidou (2) Marija Skočir (2) Marjan Kodelja (2) Mark Curran (2) Marko Stojanović (1) Martin Bayer (2) Martin Parr (2) Matej Sitar (4) Michelle Proksell (2) Miha Colner (12) Mihai Șovăială and Horațiu Șovăială (1) Monika Schwarzler (4) Montse Morcate (2) Murat Durusoy (2) Murat Germen (2) Nataša Ilec (4) Nezaket Tekin (2) Nicholas Mirzoeff (1) Onur Ciddi (1) Panos Kompatsiaris (2) Paolo Silvio Harald Favéro (2) Patricia Prieto-Blanco (2) Paula Horta (2) Paula Roush (2) Peter Hermans (2) Peter Koštrun (2) Peter Rauch (2) Richard Whitlock (2) Robbie Cooper (2) Robert Hariman (2) Ronnie Close (2) Samsul Alam Helal (1) Simon Menner (2) Simon Podgoršek (1) Stephen Snyder (2) Steve Edwards (2) Urška Savič (8) Witold Kanicki (3)

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